In this course we will dive into the dizzying world of literary contracts. You’ll learn what is typically in a literary contract, such as an author-agent agreement or a publishing contract, and what the most common clauses really mean. You’ll learn what to watch out for, when to try to change things, and when to walk away. And you’ll be given plenty of resources to help you do more research on your own.
Some of the things you’ll take away from this class:
A lawyer by day, Marin McGinnis feeds the more creative part of her soul by writing romance and mystery. She's spent more than half her life in a tree-lined, unabashedly liberal suburb of Cleveland, Ohio. She lives with her husband and two standard poodles.
Marin has dabbled in writing since she was in her 20s, but she didn’t finish anything until she hit her 40s. While her very first completed manuscript will forever languish under the bed, Marin subsequently published four Victorian-era romances. She is currently working on a stand-alone historical romance, a historical mystery series set in the English Lake District, and a contemporary cozy mystery series (because why write one thing when you can write three at once?).
When she’s not writing, editing, teaching, networking, or lawyering, she’s cooking for family and friends, learning how (and how not) to bake bread, and spending far too much time watching superhero movies.
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This class was amazing. Marin gives a good idea of what things you might see in a contract, things that can be negotiated and what you want to look for and when you might want to walk away.
I know enough to feel confident being able to understand contracts and if the terms put me at a disadvantage and how to make sure my agent and publisher are also using all their skills and to do what they stated in a time frame agreed upon.
Marin gives resources as well which are extremely helpful as well as examples and some real life stories.
This is a must take class!
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